Joseph accused by Potiphar's wife
1655
Rembrandt’s Joseph accused by Potiphar’s wife is set in a dim interior with a dark background that makes the figures and the bed stand out. Joseph reclines on a bed in a pink robe beside a white sheet, while a richly dressed man with a turban leans toward him and a second figure on the left raises a hand, creating a triangular composition around the central tableau. The palette is warm with reds, golds, and browns set against deep shadows, and the brushwork is brisk and textured, exhibiting the tenebrism and restrained realism characteristic of Rembrandt’s style.
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