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The young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
1560
Artist
Unknown
Museum
Cleveland Museum of Art
Source
Wikidata
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%2C_Forty-eighth_night%2C_The_young_man_of_Baghdad_joins_the_Hash_-_1962.279.307.a_-_Cleveland_Museum_of_Art.tiff/3920px-Anonymous_-_Page_from_Tales_of_a_Parrot_(Tuti-nama)%2C_Forty-eighth_night%2C_The_young_man_of_Baghdad_joins_the_Hash_-_1962.279.307.a_-_Cleveland_Museum_of_Art.tiff.jpg)
_-_2021.11_-_Cleveland_Museum_of_Art.jpg/500px-Unknown_artist_-_Portrait_of_Maharaja_Rai_Singh_of_Bikaner_(reigned_1574–1612)_-_2021.11_-_Cleveland_Museum_of_Art.jpg)
%2C_Manuscript_of_the_Perfection_of_Wisdom_in_Eight_Thousand_Lines_(Ashtasahasrika_Prajnaparamita-sutra)_-_1938.301.93.b_-_Cleveland_Museum_of_Art.jpg/500px-Unknown_artist_-_Text%2C_Folio_93_(verso)%2C_Manuscript_of_the_Perfection_of_Wisdom_in_Eight_Thousand_Lines_(Ashtasahasrika_Prajnaparamita-sutra)_-_1938.301.93.b_-_Cleveland_Museum_of_Art.jpg)
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