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Vignette Study of a Temple, with Rainbow, possibly for Moore’s ‘The Epicurean’
Artist
J. M. W. Turner
Source
Wikidata
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_-_Welsh_Mountain_Landscape_-_M.Add.17_-_Fitzwilliam_Museum.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Welsh_Mountain_Landscape_-_M.Add.17_-_Fitzwilliam_Museum.jpg)
_-_Two_Compositions%2C_A_Claudian_Seaport_and_an_Open_Landscape_-_N05533_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Two_Compositions%2C_A_Claudian_Seaport_and_an_Open_Landscape_-_N05533_-_National_Gallery.jpg)
_-_Extensive_Landscape_with_River_or_Estuary_and_a_Distant_Mountain_-_N05542_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Extensive_Landscape_with_River_or_Estuary_and_a_Distant_Mountain_-_N05542_-_National_Gallery.jpg)
_-_Caversham_Bridge_with_Cattle_in_the_Water_-_N02697_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Caversham_Bridge_with_Cattle_in_the_Water_-_N02697_-_National_Gallery.jpg)
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