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The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night
1560
Artist
Unknown
Museum
Cleveland Museum of Art
Source
Wikidata
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%2C_Forty-eighth_night%2C_The_young_man_of_Baghdad_reveals_his_true_identity_to_the_Hashimi_-_1962.279.308.b_-_Cleveland_Museum_of_Art.tiff/3920px-Anonymous_-_Page_from_Tales_of_a_Parrot_(Tuti-nama)%2C_Forty-eighth_night%2C_The_young_man_of_Baghdad_reveals_his_true_identity_to_the_Hashimi_-_1962.279.308.b_-_Cleveland_Museum_of_Art.tiff.jpg)
_-_Portrait_of_Sigismondo_Pandolfo_Malatesta%2C_Lord_of_Rimini_and_Fano_(obverse)_-_1965.77.a_-_Cleveland_Museum_of_Art.jpg/500px-Matteo_de'_Pasti_(Italian%2C_1420-1467-68)_-_Portrait_of_Sigismondo_Pandolfo_Malatesta%2C_Lord_of_Rimini_and_Fano_(obverse)_-_1965.77.a_-_Cleveland_Museum_of_Art.jpg)
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